Aldo Loris Rossi

Complesso parrochiale di Santa-Maria della Libera, 1965

Built in Portici in unshuttered rough concrete, like almost all the architect’s projects, this parish complex is organized around structural nodes from which circular volumes develop, interrupted by vertical elements. Here, Aldo Loris Rossi developed his formal vocabulary focused on centrifugal/centripetal opposites, contrast between vertical and horizontal elements, and the inclusion of conspicuously salient volumes. We see here his combined desire to apply a rigorous method and to attach to it a complete freedom of expression. The overall composition organizing circular volumes is particularly suited to isolation and gathering.

Nadine Labedade

Complesso parrochiale di Santa-Maria della Libera

Etude préparatoire, détails du campanile

Dessin

Encre, crayon graphite, feutre et crayon de couleur sur papier

27.7 x 42.2 x

1965

011 010 002

Etude préparatoire
Dessin
Encre, crayon graphite et crayon de couleur sur papier
27.8 x 42.2
1965
011 010 001

Etude préparatoire, détails du campanile
Dessin
Encre, crayon graphite, feutre et crayon de couleur sur papier
27.7 x 42.2
1965
011 010 002

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